Monday, June 6, 2011

An Industry-Standard Sized Pumpkin, Almost

Okay, well the 4th proof (sigh) is on the way, and hopefully this will be the last... as I attempt to get a version I feel comfortable enough to release on Amazon's publish-on-demand service called CreateSpace. Keeping my pitchforks crossed:



I was almost instantly happy with the Blurb version. It's a nice square shape with a classic poem-left image-right layout, with semi-gloss (not shiny) color printing, in an accidentally rich orange akin to some early Halloween decorations that mix in just a touch of red. So far it's my favorite. I worried though that with a "boutique/vanity printing" costing more, and with one single shipping fee (which feels a might expensive to my artist's pocketbook), I was skeptical about many people ordering it there. However, if you can, that's the one I recommend for quality and layout. Blurb just upped their prices by $1, so it's now currently $22.95 plus shipping.


After that, I looked at CreateSpace which is Amazon's P.O.D. service. For a much more affordable range of print options, I could offer the book from them (and more people) at a lower cost in an industry standard size - with a catch - unlike Blurb, as a DIY kinda project, I had to completely recreate my layout, (in a layout software that you yourself provide, so I had to try a new-to-me freeware program called Scribus - see below):


Working with Scribus (interior)
The layout of the book for Amazon


Well, after days of work, that turned out okay, and I like the quality of the proofs I've received, but I've been going back and forth on the actual image quality (pretty important for an illustrated book). Part of the problem was my own, as I tried to process them differently for this particular printing - first sepia, then screenish blue, then pure black and white, none of which looked great. Note, I'm also trying to print on their matte paper which isn't helping. (I think you can upgrade to additional options of quality but that would defeat my purpose to create a more affordable version).

After all that, the fourth proof will return to the tried and true classic orange/black/white colors. I'm hopeful I will enjoy it, in the same way I enjoy the Blurb version. And that the Amazon version at a cover price of $14.95 with better shipping options, will be another great option of the book.

Pitchforks crossed...

Sunday, June 5, 2011

A Brief History of The Pumpkin Dream (Part 5) - Monsters from the Id

A continuation from A Brief History of The Pumpkin Dream (Part 4)

So after realizing that Adobe products were going to be out of my reach (without the dream possibility of upgrading toward a full suite in inexpensive increments), I decided to look around further, and this was actually very informative. It got me to consider my next trial download which was Corel Painter 11 which is great fun with the Wacom tablet!

With Corel Draw you can get very expressive, because there are a huge number of pen and brush styles that combine fantastically with the pressure sensitivity of the tablet. Whereas Illustrator seemed more exacting and strict, Corel Draw was great for free-form expression. Without trying to recreate any of my sketches just yet, I just doodled around with the settings of the charcoal and pens to create this bit of weirdness:

monsters from the id

This, I admit, took me on a bit of tangent, exploring how sculptural I could get with the sensitivity and shading. And continuing with my doodles, created this bit of alien-esque fantasy. (Having no anatomical guidance or backdrop for the first, I realize it's a bit off, so I took the first into Photoshop and just played with a bit of mirroring on the latter two)... 

charcoal and blend
symmetry 2
symmetry 1

I really hope to explore this program more in future, but my end goal was to create a total of 37 illustrations, and quickly. I didn't see how I could do that with this program... And, honestly, I just didn't have a big budget, so when someone finally suggested freeware - I skeptically decided I might as well take the time to investigate the options... and that was when I found a good link that lists these: 15 freeware graphic programs.

I decided to download InkScape, which seemed more inline with my vector needs, to create simply-designed, repeatable graphic characters that I could tweak from one image to the next.

I'll continue that story in Part 6.

Wednesday, June 1, 2011

A Ghost Story Animatic (2001)

A friend of mine mentioned she was going to be taking an animation class in school next quarter... which had me thinking of my ever so brief foray with a class (way back in 2001, shiver) that was called "animation pipeline"... and in some ways was less about the animation itself, but more about the process of getting an animated work completed. So, in the first quarter, our personal project, was to each come up with a story and go through the processes of creation - story pitch, storyboard, animatic, etc.

This was my story from that quarter, and the animatic I cobbled together with my grease-pencil storyboard sketches, some Poser figures, and a bit of Photoshop - Final Cut processing. It's rough, and was only supposed to be used as an animatic - which means more focus on things like timing... not so much on visual finesse.






In this short animatic, an elderly couple, (an inventor and a records clerk), seek the moonlit graves of forgotten souls. And with the aid of a strange mechanical device and a book of bedtime stories, loss and sadness are replaced with peacefulness.

Nine Designs for Trick or Treat Bags

I added 9 designs from "The Pumpkin Dream" to the shop on zazzle, together with t-shirts:

The Pumpkin Dream - Trick or Treat bags

The Pumpkin Dream - T-shirts

Have a look and customize the material!
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