Continued from:
A Brief History of The Pumpkin Dream: (Part 5) - Monsters from the Id
Okay, so
finally, I found my way to the end solution for illustrating this book project -
Inkscape (a vector-art
freeware program). Contrary to the shading and modeling of images occurring in the previous blog (with Corel Painter 11), the actual goal was to create simply-designed characters that could be easily manipulated for every eight lines of the poem, whenever a new image was needed.
Coming from years of working will Adobe Illustrator (and still a bit sad about Illustrator not being compatible on the new system) the learning curve was frustrating. I slowed down quite a bit to read the software instructions, and decided to at first just try to work with simple shapes - combining them, splitting them, playing with the line points, etc - which wasn't too far from my final goal. And here are a couple of the early character drafts with
Inkscape :
Our main character here in mouse outfit.
Trick-or-Treat Witch
(Olive Green absolutely only accepts coven-approved sweets).
Duo of Trickster-Treaters
Also, at this time, I was re-ingesting lots of 1930s animation for inspiration (see end images
part 4). In particular, I have always been fascinated with 1930's
Fleischer Studios (Koko the Clown, Bimbo, Betty Boop). I would set the screen on freeze, and pencil sketch the images.
The next test was to see how well I could recreate characters from source sketches. I had sketched the tree below from a great little piece called "Swing you Sinners" (see YouTube video below) that involves a character who finds a soul full of trouble when he gets caught in a graveyard. The character below is one of the singing trees in the graveyard, and it turned out that InkScape was nice for pen-tracing sketched characters with the Wacom.
So between the tree (with a few borrowed and scattered limbs), and maybe the walking house near the end, etc., together with tons of old school Halloween inspiration... the image below was my first of a few versions that finally culminated in the final style for the imagery:
(The North Wind (Peter Max ala Saw) was nixed here for a more Halloween-ish sky).
Whew, well this generally decided, this then started two months of intense illustrating! For every eight lines of poetry, my goal was to create a drawing - 37 illustrations in all...., so, as far as the blog is concerned, I think from here I'll take a break on this whole "history" of the book set-up and maybe just dabble in a bit of postings about sketch to digital translations... perhaps...
