The Cornish Litany Lantern (Limited Edition)

Another sneak peek at what's going on in the Bindlegrim Studios... as there was some earlier mention of vintage-style 1930's era lanterns. Those may start showing up in the next two weeks!

The initial plan is to have 5 styles, and in each style there will be 10 limited lanterns each numbered and signed by the artist.

Lantern style one pane designs are ready to go, and these are familiar friends from The Pumpkin Dream illustrated poem, with some new, small variations on images in the book. (You can catch sight of the initial pane designs on the Bindlegrim facebook page).

And for lantern style two - since there was a recent enjoyable foray into creating imagery for the Debra Meister's book A Litany...Cornish and Otherwise, it seemed only natural to dream up some new spooky ghouls and ghosts for one with a  Cornish Litany theme. And here are 6 panes of what will be that 12 pane lantern:  


I really enjoyed these new spookier scenes - and a thought has occurred to do some new Cornish Litany postcards using the very same as those from the pane designs shown above. I will keep you posted, and in the meantime, don't forget Postcard One and Postcard Two limited edition Cornish Litany cards created in 2011 are for sell on etsy (signed and non-signed).

9 Halloween Greeting Cards

I will be bringing some new old stock of a greeting card series produced back in 2004 to the Bindlegrim booth for this year's 6th Annual Halloween Trunk Show in Denver... Thought it would be fun to post images from that series of 9 cards, here on the blog, as a sneak peek of what you can find at the show. There are 5 vertical images....

And 4 horizontal images...

About the cards:

Images are high quality digital collage on transparencies. Scenic photographs were taken from the 1980's to the early 2000's with either traditional emulsion film or digital cameras. The cards were printed at home, cut, and hand assembled. Cards are no longer in production and were a limited batch run. Find out more, and purchase these cards, available at the bindlegrim etsy shop or see you at the
6th Annual Halloween Trunk Show in Denver!

A Brief History of The Pumpkin Dream (Part 4) - Cautionary Vectors

A continuation from A Brief History of The Pumpkin Dream (Part 3)

As the idea to illustrate "October Dreams: A Cautionary Tale" became an objective, a new problem developed: I had recently switched systems and my ancient web developer's student copy of Adobe Photoshop 5 and Illustrator 8 (from 1999...!?) would no longer work on the newer system -- and I certainly couldn't afford to buy those expensive Adobe programs and still complete this project. I was very depressed about this situation, feeling once again I was trying to take on another project beyond my means...

As I tried to figure out what to do, I thought I should at least dabble with some trial dowloads to see if it was worth the loss of funds (and touch up on some old skills). My first trial was with Illustrator CS5. And I thought it would be fun to see how well I could re-create, and accurately, some old vintage Halloween Decorations.

These cats are from a Beistle Halloween decoration from the 1950's: the top is a scan of the original and the lower image is a wacom pen trace (with some obvious color tweaks). I'm not sure I had really learned how to use the pressure sensitivity at this point - but I did appreciate Illustrator's ability to selectively drag out and increase line widths in certain areas along the line.

The next images is from a frightening looking pumpkin face from 1931 by Dennison. Again, I couldn't quite figure out how to use the pressure sensitivity to achieve fatter/thinner lines. With this guy I drew the shapes and used lower layers to ink in the color areas. And I believe I was using a new ability to paint vector swaths. (The upper version is scanned - the lower version is my wacom trace vector version):

In both instances I was happy with how accurately the images could be created into vector! This wasn't very helpful though, because Illustrator CS5 was still out of reach. (I wish Adobe would let you upgrade in installments toward having the entire suite. There was no way I was going to buy Illustrator which I needed first, then later buy each program separately and spend even more money to get needful Photoshop, Premiere, etc).

As I tried to figure out what to do - the trials continued with AI CS5 on my own work...

Mentioned previously, I had a sketchbook full of work from trying to develop a three-dimensional project. As raw material, it then seemed logical to recreate these sketches. I imagined this might then be a good way of developing and creating my illustrations for the poem. My first go was with this scarecrow sketch:

See also my additional test manually/digitally recreating pencil sketches in the first blog entry (Sketchy Beginnings that shows working with the main characters of the poem).

I really enjoyed this.. and may have been getting a tad better at using looser pen strokes and wacom tablet sensitivity with Illustrator... however, my trial period was running out.. and the money was just not there for it!

A friend noted that Painter by Corel was a good program for looser pen work, and it might cost less... and that seems like a good place to start the next entry. Part 5 will cover some testing with Painter and, after that, what became my final solution for my budget - freeware!

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On a side note (6/5/11), as I was writing Part 5, it occurred to me, I had tried a test of Illustrator's automatic sketch feature. It's a pretty nifty tool. Below is my sketch followed by the Illustrator output. (Note the settings were used to recreate an image that was as simple and graphic and possible, and the output was tweaked just a bit afterward using the new vector blob brush to smooth edges, and create large areas of black).

This was an important test, because as I was also searching for the right program, I was firming up my ideas for the style of illustration - and this was starting to narrow down a goal - to create a style that was reminiscent of old 1930s cartoon animation.

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A Brief History of The Pumpkin Dream: Part 5 - Monsters from the Id

A Brief History of the Pumpkin Dream (Part 2) - Ghosts from the Past

A continuation from A Brief History of the Pumpkin Dream (Part 1)

By the time Halloween 2006 had rolled around, the poem had taken it's general length and narrative, and there were even a few rough illustrations created for it... this was all to correspond with a handmade version of the book, maybe about 10 total (?), that  I produced for a few close friends and for people at work, (this was when I was working as a Design Showroom Librarian - a very nurturing environment for creatives - thank you Jane!)

The packaging consisted of reclaimed cardboard envelopes (created many years ago by David and I'm still trying to use these all up...), that I attached with some printed imagery - (the lantern photographed on front was also by David; we had created papier mache pumpkins for a Halloween party a couple or so years previous).

The book itself was laborious. I printed out all the pages, cut them to size and folded, cut the plastic and incised it for what is called a living fold, and then riveted it all together). I realized, as seems to be the case with many projects for me, that this was great for a one-off event, but trying to create something like this for sell would hit my "boredom" button very quickly. I loved coming up with the design but the manufacturing part is not for me... and at the time I registered the whole item as a fun distraction.

Before heading off to Part 3, I wanted to look again into the small bit of illustrations, about 4 for this iteration (one shown above). They were mostly old photographs merged into various collages (similar to work shown here: Flickr - Haunted Visions) but desaturated, etc, for a gritty low-rez print job. Not such great work, since my focus was the poem itself, but I thought, just for yucks, I would relocate and post, although I am still a bit partial to the last image:

 Ghosts peeking through an old window. The original photo was taken through an old factory home near The Dallas Mill in Huntsville, Alabama. 

 A plastic pumpkin of fairly modern manufacturer zooms past 3 monsters. The monsters were a lifesize cardboard decoration David had created for a Halloween party.

This house was my grandfather's house in Lexington, Alabama. I got David to pose in a sheet (for the set seen in the Flickr link mentioned above), and rather shoddily superimposed a pumpkin head on it)...

And this ghoulish pumpkin head concludes Part 2. On to Part 3... or "Where did all the time go?"

A Brief History of the Pumpkin Dream (Part 1) - Halloween Fireworks

In general, near the end of 2004, I had rediscovered how fun holiday art could be, and as a personal tonic for the troubles of the world. My 2004 series of Halloween and Christmas imagery had been great fun, and from there I turned to writing (where I could be just as imaginative without trying to fund materials).

(This particular image is a pier on Greenlake in Seattle, WA in infrared photography)
One of nine images I created for a series called Hallowe'en, used at the time for greeting cards.
Updates: See more at flickr and I just re-posted remaining cards for sell on Etsy

In the summer of 2005, as fireworks were going off just a few blocks away from me in the the party atmosphere of July 4th celebrations, I was sitting with my primitive little laptop, (that was "free" with some miserable card offer), in our teeny tiny apartment, working on the first few lines of what was to become The Pumpkin Dream... a fantastic distraction from the more serious tones of my own fine art, and web content (re: the disaster of the economic downturn that began for myself as money, time, and education thrown into what became the 2001 bursting of the Seattle web bubble...,  a personally disastrous economic turn)...I suppose the explains the somewhat arch yet escapist tone of the poem!

Seattle Jack O'Lantern circa 2005:
(Our favorite pumpkin patch was Craven Farm in Snohomish).

Anyhow, writing, as the most inexpensive art form I could enjoy, (gave my imagination full range to dream), and so that summer I started scribbling down stories and poems in fits and starts. (Hopefully a few more of those will see the light as well)! The Pumpkin Dream originally started that summer as just a few separate small poems that over the following weeks began to huddle together in a larger narrative. From the currently finished version, those lines now seem very primitive to my senses, and this is one of the least offensive passages, that even now I couldn't resist changing a word or two as I transcribed:

this most peculiar, gruesome bunch

confirm our most suspicious hunch
that monsters of the thirty-first
must absolutely be the worst...

Ugh. Well, I can't remember how long I worked on the poem immediately following that initial period, but over the following years, as the other writings I had started during that period sat ignored, I would pick this one up as the Halloween season rolled around and fiddle with the words, trying to hammer out the story, and create strong imagery without losing the narrative... (the latter being my greatest challenge for balance in creative writing, when I really do want someone to understand what I'm trying to express).

I would say that in general the poem by October 2006 had finally taken its overall final shape with a handmade book and a handful of illustrations. And I think that's going to be full of enough content for part 2 of this little history... (Part 2)